Category Archives: Uncategorized

Sculpture in the Garden at the Maloof Foundation

Sam Maloof’s name is known to anyone with even a passing acquaintance of woodworking. His handcrafted home in Rancho Cucamonga is a small cathedral of light containing pieces from his illustrious 60 year career. He built it as he built his furniture – in its own time with what he had available, and to suit his family’s needs. It is hard to find one highlight of the tours offered on Thursdays and Saturdays by the Foundation he left behind. For me, it is a dead-heat between the spiral staircase leading to an airy loft and the chance to be cradled in one of his hallmark chairs.

As his fame grew, he and his late wife Alfreda began collecting and cultivating friendships with other artists in greater Southern California. The Sculpture in the Garden exhibit on the Foundation’s grounds until 10 July 2014 is a loving tribute to a couple whose generosity is as renowned as their craft. Over forty artists were asked to pick a spot and to create something for it. They chose well and came up with a wonderful collection of eye-catching pieces, each seeming to sprout from where it sits. The current garden is thanks to Mrs. Beverly Wingate Maloof whom Sam married after Alfreda’s passing.

This is the canonical great way to spend an afternoon. Tour the house and then stroll around the garden, taking each little surprise as it comes along. This exhibit is not for those steeped in theory, looking for profound analytical opportunities. It is an unapologetic celebration. Photography is not allowed in the house. No great loss since Maloof’s creations are documented extensively. Unlike most museums, guests can lay hands on the tables, chairs, and benches. On the grounds, there is no such restriction. Herewith, a sample.

Modern management, foretold

Ma and Pa Undershaft discuss the fate of the family business…

LADY BRITOMART. It would be most unnatural and improper of you to leave it to anyone else, Andrew. Do you suppose this wicked and immoral tradition can be kept up for ever? Do you pretend that Stephen could not carry on the foundry just as well as all the other sons of the big business houses?

UNDERSHAFT. Yes: he could learn the office routine without understanding the business, like all the other sons; and the firm would go on by its own momentum until the real Undershaft–probably an Italian or a German–would invent a new method and cut him out.

— Shaw, Major Barbara

Creepy, Spooky, Kooky, Ooky – The Ghost Sonata in workshop at the Actor’s Gang

Some art forms and authors are known better through satire than in the actual. Few who’ve seen Bugs Bunny can ever take opera seriously. 1999’s Resa Fantastiskt Mystisk by the Burglars of Hamm lampooned Strindberg and his like in unforgettable fashion. Sam Shepard took it in the shorts from the Future Stars of Hollywood and their Go True West. A problem arises when one unfamiliar with such an artistic legend takes in a production of a well-known work to make up for large gaps in one’s knowledge. By one, I mean me.

Brian Finney, an actor capable of great depth, tries his hand at directing Strindberg’s Ghost Sonata at The Actor’s Gang Ivy Substation space in Culver City. It isn’t until the curtain speech that we’re alerted to this being a workshop production, not reviewed, and asked to tell our friends if we happened to like it.

This is an acceptably uneven experiment best enjoyed by those who’ve seen a lot of Strindberg, who understand why he’s a big deal, and who are interested in theatrical experiments. Those people need to move quickly, it closes in a week. Finney and his large, uneven cast apply the Gang’s well-known Style and a lot of effects including a fully lipsynched first scene to a stark and rather depressing work. It is hard for the uninitiated to understand why this play is so highly regarded. There are several flashes of promise when a pairs and trios of characters get in gear and the production begins to take wing. And then it abruptly porpoises and crashes when the broadly-played commedia yanks the air out from under it.

It is the rule in technology that prototypes and breadboards need a lot of extra components and structure to provide flexibility and diagnostics during development. Further, that these are progressively and ruthlessly discarded as an idea becomes a product. It will be interesting to see this play again after the team considers it fully ready – to understand what they considered vital and what were detours. I’m not confident I’ll like the answers, though.

The Ghost Sonata
Wed-Sat 8pm until 26 April 2014
The Actor’s Gang at the Ivy Substation
9070 Venice Blvd. Culver City, CA 90232
$34.99/$30 Seniors and students
Purchase tickets online

Brain in a jar – Major progress

It’s a Petri dish, not a jar but the results from a lab in Vienna are intriguing. Stem cells have been directed to grow so as to form structures reminiscent of brain-like tissue. There is an excellent summary of the work and its implications in Science magazine although the paper by Madeline Lancaster and coworkers appeared in Nature.

Summary Article
Science 30 August 2013:
Vol. 341 no. 6149 pp. 946-947

DOI: 10.1126/science.341.6149.946

News & Analysis

Neurodevelopment
Lab Dishes Up Mini-Brains

Gretchen Vogel

/excerpt
No bigger than apple seeds, the cell clusters are simply referred to as “cerebral organoids.” But that careful language in a paper in this week’s issue of Nature belies the excitement of many neuroscientists at what it reports: the growth from human embryonic stem cells of semiorganized knots of neural tissue that contain the rudiments of key parts of the human brain, including the hippo campus and prefrontal cortex. …
/excerpt

Original paper
Cerebral organoids model human brain development and microcephaly
Madeline A. Lancaster, Magdalena Renner, Carol-Anne Martin, Daniel Wenzel,
Louise S. Bicknell, Matthew E. Hurles, Tessa Homfray, Josef M. Penninger,
Andrew P. Jackson, & Juergen A. Knoblich

Nature (2013) doi:10.1038/nature12517

Published online
28 August 2013