According to Saturday Night Live, some band or the other once had a song called “Don’t Fear the Reaper.” They didn’t know Ed Currie, breeder of the world’s hottest peppers…
Youtube Channel: Wired
The web’s archive of older industrial films is a recurring delight. Jam Handy, Coronet, and other firms crafted these with an attention to detail, calm explanation, and rigorous science that is harder(*) to find today when most equivalents are about sales rather than fundamentals. Jeff Quitney has uploaded a wonderful 1954 cleaned-up film to his Vimeo page on color theory and practice by the Interchemical Corporation. It begins with the importance of color to society – especially in packaging goods and people – and then gives a marvelous account of the optics involved. I’ve worked in the field for years but I learned to see things (pun intended) differently thanks to it.
The second film from 2016 looks at color in packaging through its emotional impact and its influence on design and designers. ‘Color In Sight’ resembles like Hustwit’s ‘Helvetica.’ A number of prominent designers talk about how they use and think about color in order to evoke a response, surface a memory, or reveal a part of the spectrum to the color-blind. I have no idea what I’d say to a nail-polish maker but Suzi Weiss-Fischmann (8m18s in) comes off as a fun seatmate on a long plane trip. I had a similar feeling about Helvetica’s Paula Scher. Interestingly, it is produced by TeaLeaves, a Canadian company specializing in very high-end teas for hotels. Judging by their Youtube page, they must spend a fortune on short films – many of which have little outward bearing on their products. I’ve never understood the appeal of tea but the videos are well worth a look.
(*) But not impossible by any means.
Vimeo Channel: Jeff Quitney
Youtube Channel: TeaLeaves
Since 2005, the LA Times has published the micturitions of one Charles McNulty as its ‘theatre critic.’ Since then he has striven to be the Niles Crane of stage criticism; uncheckable pomposity in tedious academic argot focusing squarely on getting himself back to NYC. Now Artsjournal reports of his assessment of Los Angeles theatre. He finds it wanting because the Center Theater Group and the oily Michael Ritchie aren’t leading the charge. A couple of the smaller outfits get a passing mention but this putz no doubt looks to GM for automotive innovation and Nokia for the latest in phones. He’s reviewed very few of the very many companies around, preferring the edgy climes of Costa Mesa and La Jolla when he isn’t reporting back from the East Coast. Apparently the Brooklyn sewers now empty into Hollywood writer’s rooms and thereby hangs the salvation of the form. Joy to the world.
The Times’s theatre coverage has gone from mediocre to nonexistent on his watch while his relentless pandering to Broadway runs counter to the non-arguments of the present piece. At least the actress Glenda Jackson had the good sense to give him the eminently deserved kick to the yodelayheehos when he went to “worship her.” With all of the changes Dr. Soon-Shiong is making at the LAT it is mind-boggling that he hasn’t sent this dingleberry packing. It will be a better city when he’s out of it.
Move over Igudesman, make way Joo. And roll over Beethoven while we’re at it. He’s hampered by a broken hand at the moment but before he fell to a mechanical bull, Lord Vinheteiro had some fun with a rubber chicken. Maybe more than is strictly legal. Always great to see opera get it in the chops.
Youtube channel: Vinheteiro