“At an evening party, Mozart bet a case of champagne that Haydn could not play at sight a piece he had composed that afternoon. Haydn accepted the bet and proceeded to play it on harpsichord only to stop short after first few bars. It was impossible to continue because the composition required him to simultaneously strike notes at two ends of the keyboard and a note in the very center. Haydn exclaimed, ‘Nobody can play this with only two hands.’
‘I can,’ Mozart said, and took his place at the keyboard. When he reached that problematic portion of his piece, Mozart bent forward and struck the central note with his nose.
Haydn conceded saying: ‘With a nose like yours, it becomes easier.'”
I’m relearning ‘Canope,’ one of Debussy’s amateur friendly Preludes that stretches hands all over the 88s and reading skills across three staves. One day I hope to don the scuba gear and visit ‘La Cathédrale Engloutie’. Here are Nelson Freire and Sviatoslav Richter wrapping their very differently-sized flippers around it.
Claude Debussy – La Cathédrale Engloutie (Nelson Freire)
Paul, older brother of philosopher Ludwig, lost an arm in WW1 and then commissioned composers to write left-hand only pieces for him. By all accounts a temperamental character, he torqued several now-great names while simultaneously enriching the repertoire through his sponsorships.