Youtube offers many channels with high quality classical music accompanied by synchronized scores. Ashish Xiangyi Kumar has an especially good one for piano fans. A large number of his videos feature two or more pianists interpreting the same work. To these, he offers his own thoughts on the pieces and the interpretations. A young Singaporean now studying law at Cambridge, Kumar brings to task a razor sharp mind and keen persuasive skills honed through a championship debate career. His notes read like chess matches analyzed by a grandmaster who can both understand and explain features large and small. He’s also a composer and if he can play what he writes, his chops must be first-rate.
The guilt? The recordings and scores come from somewhere…
For best results, start the videos, then click on the “Watch on Youtube” button and read the commentaries.
Mr. Behringer’s has been doing MIDI adaptations of classical scores for nearly 25 years. Visit About the Virtual Philharmonic for details. The MIDI world has come a long way from bloopity origins. The synthesized orchestral instrument samples are eerily impressive.
The well-known music publisher held onto manual engraving into the late 1990s when computers finally got good enough. Now the trend is to replace paper altogether with screens. Here are lookbacks to the bygone craft.
Sharp as a Tack – Music Engraving: an Art and a Craft
I’m relearning ‘Canope,’ one of Debussy’s amateur friendly Preludes that stretches hands all over the 88s and reading skills across three staves. One day I hope to don the scuba gear and visit ‘La Cathédrale Engloutie’. Here are Nelson Freire and Sviatoslav Richter wrapping their very differently-sized flippers around it.
Claude Debussy – La Cathédrale Engloutie (Nelson Freire)